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Four Way Stops-we have a few

Posted: May 26th, 2011 | Author: | Filed under: Downtown, Uncategorized | Tags: , , , , , | No Comments »

Downtown Bemidji is full of four way stops. Not just one or two, rather many many.  With this being said, it has always surprised me that people do not seem to know the rules for approaching a four way stop. Drivers hesitate or give up the right of way, while others charge ahead out of turn without care for the rules or safety. When you add pedestrians into the mix, you may as well forget about the rules, and just insert confusion instead.

When my husband and I moved here in the Summer of 1997, the four way stops were one of the first things I noticed.  Have I mentioned that there’s many many of them? After seeing how many I would be dealing with on a daily basis, I quickly opted to review the four way stop rules.  Since I seem to be in the minority here, I will take the time to post the four way stop rules here (summary version)

Writing note: I was going to post this last week.  I started reviewing the rules and was looking for a summary to post through the DMV site etc.  One of the first things I came across was this comedic version.  I have not been able to get that version out of my head, nor can I personally write anything quite as good.  So I have decided to post Jim Loy ‘s version and then link the DMV / MN driving rules.  Keep reading-it’s so funny because it is so true.

Four-Way Stops (Simplified)

Copyright 1996, Jim Loy
From HERE

The four-way stop is a drivers’ IQ test, that many drivers fail. It would seem to be a maneuver of approximately Blue-Angel caliber. But, it is really very simple, if you follow these few rules.

Case I – one car

You are the only one at the intersection. This is the simplest case. First you stop [complete stop (in or out of the cross-walk), rolling stop, 25 mph stop, etc.], then you have only five options:

1. Go.
2. Hesitate, then go.
3. Wait for 3 more cars to come along.
4. Wait for 2 more cars.
5. Wait for 1 more car.

A true Driver (with a capital “D”, master of four-way stops) would choose option #3. After all, they do call this a four-way stop. Most drivers modify option #3 by adding a time limit, like 30 seconds: “Wait for 3 cars or 30 seconds, whichever comes first.” This 30-second wait has degenerated into option #2, “Hesitate, then go.”

Case II – 2 cars

There are a few permutations here:

1. You got there first. See below, “Complication #3, who got there first?” In this situation, just go, unless you are a disgustingly polite driver (Complication #1).

2. He or she is on your right and you’re turning right. Go.

3. He or she is on your right and you’re not turning right. Wait.

4. He or she is straight ahead; and he or she is going straight or turning right; and you’re going straight or turning right. Go.

5. He or she is straight ahead and he or she is turning left or you’re turning left. Wait.

6. He or she is on your left and he or she is turning right. Go.

7. He or she is on your left and he or she is not turning right. Wait.

Case III – 3 cars

If it’s your turn, go. If not, try to imagine what can go wrong if you do go, and then go if you didn’t just imagine your own death. Actually, this case is a simplification of case IV – 4 cars.

Case IV – 4 cars

There are hundreds of permutations here. But, actually, it’s pretty simple. Go it it’s your turn, or if you’re turning right and nobody else is headed for that lane.

Complication #1 – the disgustingly polite driver

A disgustingly polite driver will wait for you even though you both know that it is his or her turn to go. I can imagine him or her stopping for a child, and waving the child into the path of a speeding semi. Such politeness confuses any driving situation. It can hopelessly muddle a four-way stop situation, unless you follow this advice: Flip him or her the appropriate salute, and go.

Complication #2 – which way will they turn?

Cases II through IV depend upon which way the other drivers are turning. Their turn signals may offer a clue:

1. Some people do not signaling
2. Some people will turn the same way that they are signaling
3. Some people will not turn the same way that they are signaling

There are six principles which will help you sort these out:

1. You can legally assume that people will turn the same way that they are signaling, or that they are not turning when they are not signaling.

2. You can legally ram them if they are lying.

3. No witness will stick around to back up your story about whether or not anybody signaled.

4. Drivers (capital “D”) do not signal.

5. drivers (small “d”) do not signal.

6. All other drivers signal.

Complication #3 – who got there first?

“Who” got there first, “what” got there second, “I don’t know” got there third. Sorry, that was merely an allusion. In theory, a four-way stop is simple. The cars stopped in a certain order, and they go in the same order. In reality:

1. Some people don’t exactly stop. So, when did they arrive at the four-way stop?

2. Some people stop one or two car-lengths behind the stop sign. When did they arrive at the four-way stop?

3. Sometimes two cars really do stop simultaneously.

4. Driver A thinks that driver B got there first, and driver B thinks that driver A got there first. This is a simplification of the next situation.

5. Driver A thinks that driver B got there first. Driver B thinks that driver C got there first. And driver C thinks that driver A got there first. From experience, I would say that this, along with various 4-car permutations, is a very common situation.

6. At least one driver has no clue. This has probably happened before he reached the four-way stop.

So, when there’s doubt about who got there first, who should go first? Here’s a handy rule: “I go first, you go second, everyone else hesitates.” My car is the one with the dents in each door.

Complication #4 – pedestrians

Any of the above situations can be further complicated by the intrusion of any number of pedestrians. You won’t see them lining up and going one at a time. They just keep walking right on through the intersection, dodging cars. While pedestrians slow down the normal clockwork of the four-way stop, they also introduce a logical puzzle to the situation. If you are about to go, and a pedestrian walks in front of you, how does that affect the order of who goes when? Do you get to go first once the pedestrian is out of your way? Should all the other cars wait for you? Or, have you lost your place and must wait for 3 more cars to go. This guideline should help: “If you have to wait for a pedestrian, you are now a time-bomb waiting to go off. To minimize the loss of life, you should be allowed to go first.”

Complication #5 – the four-way stop starburst maneuver

This is when all four cars go at once. All four cars stop, nearly touching, nose to fender. And, nobody can go forward. The driver who backs up loses all respect from his or her family. Besides, the next four cars have gone forward by now. So no one can back up, if he or she wanted to. The four-way stop has now achieved critical mass. The only solution is for one car to be removed, sideways, by a fork-lift. I’m sorry to say that I’ve never seen this done. I understand this is very popular in Europe, at all kinds of intersections.

Four-way stop theory

Einstein’s theory of Special Relativity says, among other things, that two observers, travelling at different speeds, cannot agree on when something happened. In fact observer A may say that event X occurred before event Y, while observer B may say that event Y happened first. And both observers are right. This leads to the “four-way stop paradox.”

A theory that seems to have even more to say about four-way stops is Natural Selection.

Dear Bemidji drivers, it is time to figure this out.  You deal with these signs daily if you are downtown.  Denial is only getting people frustrated at you.  I know the reason you sit and wait for the other person to go (even though you clearly are in the right of way) it is because you don’t know the rules!  Well I have cleared that up for you now.  Proceed (now that you know how).

What the MN Drivers Manual states:

Right of Way and Yielding:
Right-of-way and yielding laws help traffic flow smoothly and safely.
They are based on courtesy and common sense. Violation of these
laws is a leading cause of traffic crashes.

• When two vehicles reach an intersection at the same time, and
there is no traffic light or signal, the driver of the vehicle on the
left must yield to the vehicle on the right.
• When two vehicles reach an intersection at the same time,
and all-way stop signs or flashing red traffic lights control
the intersection, the driver on the left must yield right of way
to the driver on the right.
• A driver who wishes to make a left turn must yield to vehicles
approaching from the opposite direction when these vehicles are
in the intersection or are near enough to pose the risk of a crash.
• When a green arrow signal indicates that a vehicle may enter an
intersection to make a left turn, the driver must yield to other
vehicles or pedestrians already within the intersection. After
yielding, the driver may continue in the direction of the arrow.
• When two vehicles approach an uncontrolled “T” intersection, the
driver of the vehicle that is turning must yield to all cross traffic.
• When approaching a public road from a private road or driveway,
you must stop and yield to pedestrians and traffic.
• Drivers in the right lane of traffic must yield right of way to transit
and metro mobility buses attempting to merge from a bus stop
or shoulder.
• When a funeral procession identifies itself through use of headlights
or hazard warning lights, you must yield to the entire procession.

To review all of your driving rules and regulations you can find the manual HERE


Jon H.

Posted: May 3rd, 2011 | Author: | Filed under: Downtown | Tags: , , , , , , , | 4 Comments »
Photography by: Julie Saari
Jon H.
Back Alley – Downtown Bemidji
April 2011

Always looking for an adventure Jon Heller can be found on his bike or on the road exploring and photographing his experiences.  Jon takes as many photos for friends as he does for assignments.  A style unique to Bemidji Jon Heller has a flair for photography not usually seen in a town our size.  One of the first people to contact me after I started This is my town: Bemidji, Jon and I have become friends and he has helped me on numerous occasions get a shot I can’t, or to loan me equipment I could only dream of using much less have.  You have seen some of Jon’s work on the Facebook page in the Where the Heck? pics as well as the profile photos as well.

Some of you know him, but for the rest let me introduce you to Jon Heller:

A big part of my story is pretty much the same as everyone else that grew up in Bemidji. Born and raised in the Bemidji area but with the desire to travel away from here. I would read stacks of “outside” magazines dreaming about all the places I wanted to visit without knowing how I could make it happen.

Then in 1993 on a family vacation to Glacier National Park everything changed when my Dad showed me how to use his old Nikon FE camera. Once those first rolls of Kodachrome  came back I was hooked, finally an art form that let me record what I saw in the world the way that I saw it. On top of it all it was easy or at least I thought so after seeing those first slides. From that point on I devoured every magazine, book and behind the scenes video I could get my hands on which is when I started to realize how much more there was to getting successful images. It doesn’t even matter what kind of photos I’m shooting, a lot of photographers only shoot one thing but I don’t really care what I point my camera at as long as it inspires or moves me in some way. I have lived in Montana, Wyoming, Florida and California and traveled to all the places in between but I keep ending up in Bemidji.

Hours after graduating from high school I was on the road back to Montana to attend photography school for the summer. By this point my main direction was in photographing people, still loving it all  I just shot what ever I could. On top of that I was on my own, exploring the mountains around Missoula.  However, by the time the program was done I was ready to come back to Bemidji.  I spent the next few years working odd jobs while trying to build a portfolio as good as the images I saw in magazines with little success, the ideas were there but I was still missing something. Then. I got hired to assist a new commercial photographer in Bemidji who showed me how much work and gear went into getting those shots I was trying to emulate.  He had all the gear  and would let me borrow it for my own shoots. That’s when my images started to improve by leaps and bounds.

I have paid my photographic dues over the years shooting baby, family and wedding photos to the point where those are the only things I refuse to shoot. Mostly due to the fact that I was never very good at those kinds of shoots but they managed to pay for the gear that let my work evolve into what it is today.  I do love photographing people though, anything from sports to environmental portraits. For my personal projects I tend to be drawn to people that I find interesting on some level usually through what they do for work or their hobbies. I really enjoy trying to create images of artists from other mediums.

I’m at a place right now where my photos are getting published on a fairly regular basis and it still doesn’t get old seeing my images on the cover of magazines. I still haven’t picked just one direction to go in, one day I might be shooting a orchestra conductor the next I might be dangling from a rope shooting a rock climber, all things I have actually shot in Bemidji.

That’s the great thing about Bemidji is that even though it would be considered by most a small town things are constantly changing and evolving around here to the point where there is always something new to shoot. I think that is why I have such a hard time choosing a direction with my photography and sticking to it.  At the same time I am constantly brow beaten by the small town mentality around here. People automatically assuming that some one who claims to be a photographer and doesn’t run a portrait studio is creepy and should be avoided (mostly because they have seen too many made for TV movies). Though a lot of that has died down since I started shooting for a local woman’s magazine.
The last two or three years though have really been amazing, constantly shooting something and actually having people volunteer to be in my images.  Three years agoy works improved immensely when I went digital  and was really able to experiment with lighting. I quickly converting from a natural light only type of a shooter to an available light shooter, and by that I mean any light that is available. I will drag enough lighting equipment out to a shoot that it looks like I could be shooting for Rolling Stone when I am probably shooting something as a favor to a friend or a portfolio piece for myself.
Through all of my travels over the years and even the places I have only dreamed of visiting I love having Bemidji as my home base. With all my odd ball friends (term of endearment) that have supported my photography over the years usually by being the subject matter and the area locations that have served as the backdrop for my images this place is home. I am a 31 year old Bemidji local and it has taken most of those 31 years to realize how great of a thing that actually is.
Jon’s Photo Shoot can be seen HERE
Photos by Julie Saari
Examples of Jon’s photography can be seen HERE

Jon’s links:
Photo Blog
Adventure Bum